Instead, he looks at the stage. It's a natural thing to do. People so seldom think of our own gaze as being dangerous.
A light, precisely calibrated for forty-seven people has, for an instant, forty-seven people looking at it.
It turns on and it takes the world with it.
A light, precisely calibrated for forty-seven people has, for an instant, forty-seven people looking at it.
It turns on and it takes the world with it.